This artwork depicts a Tahitian dance performance, which is characteristically energetic and
striking, with rapid hip movements to percussion—each dance being a narrative of
mythological tales or events in their daily life. I associated it with the element “water”, since
the Polynesian dance is performed next to sea. I composed the elaborate outfit that covers
the otea from head to toe- including an elaborate headpiece, garlands and a voluminous,
flowing grass skirt.

Through more translucent medium like watercolor and net, I wanted to produce a softer and visually light effect with the ballet dancer, as an embodiment of “air”. The dancer’s gaze is averted from the viewer, immersed in effortless motion, reaching upward. The spiral element is influenced by the spiraling motif and classic convention of the golden ratio in Mucha’s The Dance. A spiraling ribbon in her hands mimics this motion and helps to guide the viewer eye down the canvas.

With this piece, I intended to capture the cultural richness, and powerful energy of the dance form with a critical focus on the flowing nature of the outfit. Movement and posture (inspired by contemporary Flamenco dancer Sara Baras) guide the viewer’s eye. The bottom portion of the Flamenco’s natural ensemble is free to sway, appearing as though her rapid steps make the fabric flounce and skirts sashay.

The subject of this mixed-media piece is a Geisha, a highly trained entertainer—engaging in a traditional dance during the renowned Miyako Odori spring festival, against a backdrop of bamboo. I intend to depict a Geisha’s unique beauty, grace and discipline whilst highlighting the richness of the flowing kimono and the accessory fans. The air given off is quiet, yet regal.